Hirsel 1

“The Moon is made of groundsel

The Sun is made of grass

And in the cornflower summer sky

There is a looking glass

Back and back and back and back

The further and further on

Look in the weed-dark herring pond

For the place where you come from”

For some reason, when copying out this rhyme from Old Merlaine, I kept writing the last line as “for the place where you belong”. Which has quite a different resonance. I just used to write off the top of my head, so have no idea why the sun might be made of grass, though reflected in water it might appear this. But perhaps it is just nonsense. However, the image above, a photograph taken whilst walking in the Hirsel and looking down into the small river that runs through it, the Leet, made me think of this long-ago, badly remembered rhyme. I rarely reread my own work. It is like something written by another person whom I know to be myself, as I can remember that person, but someone whose mind now works in a different way.

Reflections in the Shed Window

There it is, in the background, my studio, aka The Tardis, and the poles for the runner beans; but what is not reflected is that washing line, high up above the garden, where the clothes are pulled up by ropes, and whip out in the wind. This is, apparently, a form of line constructed from those who have been in the navy. Tony was working in the merchant navy when he was 15, the boat had to be fettled and they were in Venice for a fortnight……

Portsmouth is apparently full of these washing lines..

Mirrors, Water and Reflections 2

When my small studio was built up in the vegetable garden, my husband bought a door. I was imagining a door with much glass, whereas this door just had a decorative strip of cut glass down the middle. Somewhere, a more conventional conservatory-type door existed in the garden, so he held that up to the door space, and then held up this more “door” door, and I could see that it had a better feeling. The design of my octagonal studio was based on a hat box which was on the floor of the room where we eat. Half-way through the build he thought there was not enough room for storage, so he cut into the three back panels half way up, made some cupboards, roofed them. Two ships portholes in the back walls, then two side windows and this door. I sat down in the place when it was finished, hoping it would be a place to work, and within seconds I knew that it was perfect. My son said: “The last place you worked in was hell (an old cow shed) but this is heaven.”

Tony had a catalogue of floor types. We both liked the same one but agreed it was too expensive (he built the studio, with help from a friend, and I paid for the materials, with the proceeds from an illustration job); and then when the floor arrived, he had ordered the one we both agreed was unaffordable. I have never reimbursed him, as we both know. I wanted this piece of floor in the doorway, with “Orient Fruit” printed on it.

Mirrors, Water and Reflections 1

For February, I am posting imagery of water, reflections, and mirror images, as a change from winter sunlight in The Scottish Borders. This is not a winter image, as the swans at the moment are inhabiting the Lees, the big field in which different crops are planted, and which has a path running alongside the Tweed where I used to walk, when I wandered further afield than I do now. Somehow the last two years have contained the self within a small radius. Though the mind still goes wandering.

But the year turns towards the light. We are still here. Some of us are still here. And Miss Ruche, the damaged blackbird, is back in the garden, where she has her own spot in the shadow of the Tardis, my studio, where she gets her own share of mealworms; and the swans are back on the Lees.

Reflection of Rhododendrons

 

Portrait through Glass

Reflections in River Tweed

Under the Bridge

Riverbank

Under the Old Bridge, Shallow Water